Representing Perpetration in Documentaries on Genocide

Informazioni relative al progetto

PERPREP

ID dell’accordo di sovvenzione: 101025897

DOI

10.3030/101025897

Progetto chiuso

Data della firma CE 25 Marzo 2021

Data di avvio 13 Settembre 2021

Data di completamento 12 Settembre 2024

Finanziato da

• EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions

Costo totale

€ 328 968,00

Contributo UE

€ 328 968,00

Coordinato da

KOBENHAVNS UNIVERSITET
Denmark

Periodic Reporting for period 1 - PERPREP (Representing Perpetration in Documentaries on Genocide)

Periodo di rendicontazione: 2021-09-13 al 2024-09-12

Sintesi del contesto e degli obiettivi generali del progetto

Documentaries play a significant role in shaping public understandings of genocide and are the most common film genre on the subject. Yet, film scholarship has typically taken a narrow approach to depictions of genocide, reading atrocities separately, analysing only a small subset of often well-known films, focusing on the depiction of victims only, and paying little attention to the production context. By contrast, my project is a wide-ranging comparative study that analyses how numerous genocides and their perpetrators have been presented in documentary film. Spanning seven 20th-century genocides across three continents and combining interviews with filmmakers, distant reading methods, content analysis, and historical research, my project tracks the multifaceted representational strategies of over 200 films, addressing both the local and global contexts impacting their production. I highlight and critique dominant trends in documentary representation, proposing a broader and methodologically innovative approach to studying the depiction of atrocities that provides an encompassing framework for understanding genocide documentaries and their discursive and socio-political impact.

Lavoro eseguito dall’inizio del progetto fino alla fine del periodo coperto dalla relazione e principali risultati finora ottenuti

I have published four articles on this project and I am currently working on a book (the proposal is under review at Edinburgh University Press). I am working on one more article related to this research.
For this project I have carried out field research in Rwanda, Cambodia, and Indonesia, where I interviewed filmmakers, filmproducers, and activists. I have also given an extensive presentation of my research at an artist's collective in Jakarta, Indonesia and discussed my research in a discussion round at another artist's collective in Jakarta, Indonesia.
I have also scraped web-filmographies (Yad Vashem, Cinematography of the Holocaust) and graphed their data. A continuously updated version of the website is visible here: https://jackewiebohne.shinyapps.io/shiny1/
I presented my findings at three different conferences (International Association of Genocide Scholars Conference, Barcelona, International Communication Association Conference, Toronto, Holocaust in Colour, Newcastle) and organized a conference and workshop at Copenhagen University where I presented as well.
Together with my supervisor Thomas Brudholm I ran the Ethics and Violence Cluster at the Department of Cross-Cultural and Regional Studies of Copenhagen University for which we secured separate funding.
I have also presented my research at two different Danish schools as part of the Danish Science festival and will organize student workshop and present my research findings in a departmental lecture at the Université Catholique de Lille (upcoming, November 2024).

Progressi oltre lo stato dell’arte e potenziale impatto previsto (incluso l’impatto socioeconomico e le implicazioni sociali più ampie del progetto fino ad ora)

The expected academic outputs of this project are 4 journal articles and a book (which will take longer than the project itself). The hand-compiled dataset of genocide documentaries that is extensively annotated is published in an open repository and can be freely used. I've presented my research at several specialist and non-specialist forums, including two Danish schools, major conferences, two discussion and presentation rounds at artists collectives in Indonesia, and one student workshop and academic research presentation in Lille. I am currently working on a website that will continuously be updated: machine learning functionalities will be made available in the next release.
I expect to finish the book, additional article, and website by January 2025.