Women Translators in Italian Publishing

Descripción del proyecto

La fuerza femenina tras el discurso intelectual de Italia

Unos investigadores están poniendo el foco en mujeres destacadas del discurso intelectual italiano entre la década de 1930 y la de 1980. El proyecto WTIP, financiado con fondos europeos, se centrará en la traducción y la publicación para examinar la actividad profesional de las traductoras Maria Luisa (Nini) Castellani Agosti (1913-2005) y Adriana Motti (1924-2009), así como de dos escritoras que dedicaron un tiempo considerable a la traducción de literatura extranjera, Natalia Ginzburg (1916-1991), como editora de Einaudi Press, y Lalla Romano (1906-2001), como lectora apasionada de literatura inglesa y francesa. Al aprovechar el análisis histórico, la sociología de la literatura, los estudios de traducción y la investigación de archivos, el proyecto identificará los papeles ocultos de las mujeres y cuantificará su impacto en términos de cantidad de proyectos traducidos que se llevaron a cabo.

Objetivo

The project re-evaluates women’s participation in 1930s-1980s Italian intellectual discourse, through a special focus on the intersection of translation and publishing. More specifically, it will examine the professional activity of four key women, namely: the professional translators Maria Luisa (Nini) Castellani Agosti (1913-2005) and Adriana Motti (1924-2009); and two writers who devoted significant time to translations of foreign literature, Natalia Ginzburg (1916-1991), in her capacity as editor of the Einaudi Press, and Lalla Romano (1906-2001), as passionate reader of French and English literature. Starting from the assumption of a greater invisibility of women in translation and editorial tasks, the project aims at rediscovering these historical figures, by reinstating their place within the literary domain and the publishing panorama of Turin and Milan. Drawing on a interdisciplinary set of methodological tools and approaches, from historical analysis, sociology of literature, translation studies and archival research, the project will identify women’s covert roles and will quantify their impact in terms of number of translated projects undertaken, the width nature and scale of networks they were able to establish and the range of suggestions received and given to support the production of books. The study will consider published and unpublished items, translated outputs and the surrounding related writings, bringing a new focus on private correspondence as a vehicle for women to express their voices and advance views in a mainly male-dominated system. At the University of Milan, I will have the opportunity to achieve these objectives through a suite of well-designed training courses, which will support archival research and will enable me to apply advanced digital tools to the historical investigation.