Global Conservation: Histories and Theories

Descripción del proyecto

Transformar las prácticas de conservación en el mundo

Los museos de toda Europa se están viendo forzados a devolver obras de arte a sus países de origen. Al mismo tiempo, las cuestiones sobre la exposición ética de las colecciones etnográficas están alcanzando un punto crítico. El aumento de las exigencias de transparencia y equidad requiere disponer de un recurso exhaustivo sobre el legado de las prácticas de conservación en el mundo. El proyecto GLOCO, financiado por el Consejo Europeo de Investigación, ofrece nuevas perspectivas a través de un diccionario polifónico y recursos esenciales para científicos y profesionales de museos. Esta iniciativa abarca del siglo XVI al XXI y se centra en objetos tan diversos como la plumería mesoamericana, la cerámica asiática y las esculturas de madera de África occidental. GLOCO introduce un marco que examina conceptos como formas y fragmentos, superficie y tiempo, y visibilidad y vulnerabilidad.

Objetivo

Today, museums in Europe and the USA are under heightened scrutiny in light of increasing requests for artworks to be returned to their country of origin and growing questions about the appropriate display of ethnographic collections. Conservation practices are changing to include multiple experts to choose the most appropriate methods to preserve material culture. However, while museums display artefacts from many origins and deal daily with complex conservation practices, there is no comprehensive monograph or array of vetted online resources about the legacies of conservation on a global scale.
Global Conservation: Histories and Theories (GloCo) will be the first academic research project studying the histories and theories of conservation of material culture at a global level from the sixteenth to the twenty-first century. GloCo approaches conservation as a set of cultural and technological practices that aim to preserve and give access to art and material culture. GloCo develops an innovative framework centered around the study of a selection of objects Mesoamerican featherwork; Asian ceramic; and West African wooden sculpture and organized around key transversal concepts: forms and fragments; surface and time; and visibility and vulnerability.
The importance and innovative dimension of GloCo lies in its broad historical and geographical scope as well as in its contemporary relevance. GloCo considers histories, theories, and forms of conservation within and beyond the West to restore a plurality of perspectives. We will publish four books (PhDs and PI), three articles (PDs), host two workshops, and create an online polyphonic dictionary (PDs and PI) that presents a range of notions tied to various cultures of conservation. These new definitions will become an essential resourcefor academics, museum professionals, and beyond. Thus, GloCo will reshape the current understanding of conservation through a deep rethinking of its histories and theories.