Descripción del proyecto
La herencia de Bach a través del legado de Rosalyn Tureck
El proyecto TureckBachXXI, financiado por las acciones Marie Skłodowska-Curie, tiene por objeto examinar el rico legado de la teclista estadounidense Rosalyn Tureck. Tureck dedicó más de sesenta años a interpretar, investigar y enseñar las obras de Bach. Los investigadores examinarán las ideas de Tureck con respecto a la interpretación de la música de Bach sobre la mentalidad estética, cultural, social y tecnológica del siglo XXI. Para ello, combinarán la interpretación musical, la musicología, la estética musical, los estudios sociales y las nuevas tecnologías musicales. El principal resultado de su labor será una edición comentada de las ideas y hallazgos de Tureck sobre conceptos, prácticas interpretativas y perspectivas estilísticas relacionadas con la interpretación de la música de Bach, lo que beneficiará a intérpretes, musicólogos, compositores y entusiastas de Bach.
Objetivo
J.S. Bach’s musical legacy is astonishingly rich. We have been responding to his music for more than 300 years. The American keyboardist Rosalyn Tureck (1913-2003) devoted more than six decades to performing, researching, teaching, and writing about Bach’s works, as well as music and arts in general. She has left an abundant heritage on performance practice and scholarship for those who seek to understand, perform, and communicate Bach’s music. This heritage remains mostly unrevealed. Bringing together efforts from music performance, musicology, aesthetic, social studies, new music technologies, and composition, the TureckBachXXI project aims at gathering, exploring, and questioning Tureck’s ideas for Bach performance in the aesthetic, cultural, social, and technological mindset of the 21st century. The main outcome of this project will be a commented edition of Rosalyn Tureck’s ideas and findings on concepts, performance practices and techniques, and stylistic prospects involved in the realization of Bach’s music, and its connections with the music of today. This will be useful not only to artist performers, but also to musicologists, composers, and all enthusiasts interested in Bach’s legacy, as well as for the evolution of music and the arts. In addition, this project investigates musicological/performance questions opened by Rosalyn Tureck that will bring new perspectives to performers as well as to researchers and Bach enthusiasts. Finally, the project questions the vitality and the longevity of a music of a past era in the technological, cultural, aesthetic, and social environment of a new music era. This will result in particular in a series of interviews with composers of today nourished with questions raised by Rosalyn Tureck. Testimonies about Rosalyn Tureck from the remaining people who worked with her will also be collected. This interdisciplinary project opens new perspectives in the fields of Bach studies and music performance.
Ámbito científico (EuroSciVoc)
CORDIS clasifica los proyectos con EuroSciVoc, una taxonomía plurilingüe de ámbitos científicos, mediante un proceso semiautomático basado en técnicas de procesamiento del lenguaje natural.
CORDIS clasifica los proyectos con EuroSciVoc, una taxonomía plurilingüe de ámbitos científicos, mediante un proceso semiautomático basado en técnicas de procesamiento del lenguaje natural.
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Palabras clave
Programa(s)
- HORIZON.1.2 - Marie Skłodowska-Curie Actions (MSCA) Main Programme
Régimen de financiación
HORIZON-TMA-MSCA-PF-GF - HORIZON TMA MSCA Postdoctoral Fellowships - Global FellowshipsCoordinador
04109 LEIPZIG
Alemania