Objective
Focusing on the making of Angels is an innovative way to approach the religious fact in ancient Mediterranean. The idea of intermediary beings is widely spread in the human conception of the divine; however, it did not always exist in the terms we are used to. The current project aims to explore that long and complex construction whose turning point takes place in Late Antiquity, more specifically in the V-VIth c. CE. The legacy of Pagan angels inherited from the Classical world interacts with the other religions and schools of thought throughout the Empire (Judaism, Gnosticism, Neo-Platonism) to build the definition, function and image of Christian Angels which will in turn pass onto Byzantium, and towards Islam. This phenomenon mostly rises in the Eastern regions of the Empire (Egypt-Syria-Palestine). In the three most relevant languages to study the development of the concept, Angel means “messenger” (Greek aggelos; Coptic aggelos; Syriac ml’k’). The backbone of our research is the theorization of Angels as a hierarchical system which the Pseudo-Dionysius the Areopagite, chief theologian of the Orthodox Church, elaborates on the Medieties of the Neoplatonician Proclus (AD 412-485). This provides the base to evaluate the impact that such an intellectual shift had on material culture, more specifically for what concerns the status of images. Not only in texts but also on works of art of the period can one trace the conversion of the Pagan Erotes to some winged personifications which result as Christian Angels. How to make visible the invisible? The representation of Angels helps thinking the entire question of Aesthetics in Late Antiquity, a fascinating process of exchange, conflict and ultimately (re)appropriation of its own identity.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- humanities history and archaeology history ancient history
- humanities philosophy, ethics and religion religions islam
- humanities philosophy, ethics and religion religions judaism
- humanities philosophy, ethics and religion religions christianity
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.1.3. - EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions
MAIN PROGRAMME
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H2020-EU.1.3.2. - Nurturing excellence by means of cross-border and cross-sector mobility
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
MSCA-IF-EF-CAR - CAR – Career Restart panel
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-MSCA-IF-2017
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
75006 PARIS
France
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.