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The Dematerialization of Fashion and France's Couture Propaganda during the 1960s and 1970s

Descripción del proyecto

Una perspectiva política de la moda francesa

Francia lleva generaciones en el centro del mundo de la moda y numerosos diseñadores franceses han desempeñado un papel crucial a la hora de darle forma. Al aportar la perspectiva política de las relaciones internacionales al estudio de la historia de la moda, el proyecto financiado con fondos europeos FASHION IN IR estudiaráel papel de la moda sartorial de las mujeres francesas. El proyecto se concentrará en la interacción con el mercado común y su influencia en el mercado americano de consumo durante las décadas de de los años sesenta y los años setenta del siglo pasado. El equipo investigará la moda en el contexto del mercado común a través del prisma de las autoridades francesas (industriales, gubernamentales y diplomáticas). Así, generará una nueva perspectiva interdisciplinaria para el estudio del patrimonio cultural europeo en el contexto de la competencia internacional y transnacional de bienes culturales inmateriales.

Objetivo

FASHION IN IR aims to study the role of French women’s sartorial fashion in its international relations with a focus on both its interaction with the Common Market and its influence on the American mass market during the 1960s and 1970s. This approach is meant to open up the fields of Fashion History and International Relations History to each other. This will be done through the analysis of the influence of women’s sartorial fashion on the American mass market as well as within the context of the Common Market through the prism of the French authorities (industrial, governmental and diplomatic). In so doing, the added-value of diplomatic archival materials in the study of fashion–its influence and dissemination–will be compounded by the added-value of integrating fashion as an independent and unavoidable variable on the international stage. This project brings the political perspective of international relations as a new approach to the study of both the creative industry and the ways intellectual property can be appropriated by states as well as influence public authorities to act in certain ways at the behest of those creators of immaterial products such as fashion (both ideas and images). In so doing, the goal of this project is to generate a new interdisciplinary perspective pertaining to the study of European cultural heritage in the context of international and transnational competition of immaterial cultural goods. This project uses the renewal of an aid to couture program at the end of the 1960s in France as a case study of the instrumentalization of a part of European culture in the form of haute couture as a means to gain influence in the United States.

Ámbito científico (EuroSciVoc)

CORDIS clasifica los proyectos con EuroSciVoc, una taxonomía plurilingüe de ámbitos científicos, mediante un proceso semiautomático basado en técnicas de procesamiento del lenguaje natural.

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Coordinador

UNIVERSITETET I OSLO
Aportación neta de la UEn
€ 214 158,72
Coste total
€ 214 158,72