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Imitations and inTeractions in the Eastern Mediterranean: A Study of Bronze Age Cypriot Pottery

Project description

Rethinking the concept of imitation, measuring cultural interactions

During the Second Millennium BC, Cypriot ceramics were traded widely throughout the Eastern Mediterranean, leading to the development of imitations as well as innovative productions inspired by Cypriot shapes and motives. Questioning the concept of imitation and its traditionally held theories, the EU-funded ITEM project investigates where, when and why these productions developed and how foreign motifs and techniques were integrated into the local traditions of geographically diverse regions. ITEM aims further to produce a comprehensive study of the social and economic mechanisms involved in the transition from trading connections to cultural exchanges. Ultimately, the project explores the link between the circulation of goods and ideas and the complex processes by which both aspects are interconnected.

Objective

ITEM is a diachronic and multi-regional reassessment of mechanisms at work in the development of imitations and productions inspired by Cypriot pottery in the Eastern Mediterranean during the Second Millennium BC. The project questions when imitations developed, why they were elaborated, who made them, what their functions were and how foreign motifs and know-how were adopted in the local traditions of the studied areas. ITEM also evaluates how the imitation process is linked to the development of trading connections between Cyprus, the Aegean, Anatolia, the Levant and Egypt and assesses their progressive evolution into cultural exchanges during the Middle and Late Bronze Ages. To bring new perspectives on these issues, the project breaks down disciplinary barriers and combines the application of anthropological and sociological theories with a technological study of the archaeological material by using analytical tools developed in Digital Humanities. The host institution, UPN – UMR ArScAn, will provide training in GIS mapping and RTI photography, which will offer new skills for the analysis of raw materials and relevant chaînes opératoires, and add concrete evidence to support ITEM’s conclusions. Research collaborations with top-rank scholars and international museum institutions will further expand my skillset, build my professional network and refine my ability to transmit results to a broad audience. ITEM explores the boundaries between exchanges of goods and ideas and the processes by which both aspects are interconnected. The limited dataset ensures the feasibility of the project, while the holistic approach makes its outcomes relevant to a wide academic community. The addressed questions and methodology can be utilised in other research fields, regions and periods. Ultimately, ITEM challenges how modern scholarship defines the concept of imitation and measures cultural interactions, a problematic which is relevant far beyond the scope of this project.

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Programme(s)

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Topic(s)

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Funding Scheme

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MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF)

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Call for proposal

Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.

(opens in new window) H2020-MSCA-IF-2019

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Coordinator

UNIVERSITE PARIS NANTERRE
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 196 707,84
Address
200 AVENUE DE LA REPUBLIQUE
92001 Nanterre Cedex
France

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Region
Ile-de-France Ile-de-France Hauts-de-Seine
Activity type
Higher or Secondary Education Establishments
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Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

€ 196 707,84
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