Imitations and inTeractions in the Eastern Mediterranean: A Study of Bronze Age Cypriot Pottery

Descripción del proyecto

Replantearse el concepto de imitación y medir las interacciones culturales

Durante el segundo milenio a. C., en todo el Mediterráneo oriental se produjo un gran comercio de cerámica chipriota, lo que dio lugar a la producción de imitaciones y artículos innovadores inspirados en las formas y los motivos chipriotas. Cuestionando el concepto de imitación y sus teorías tradicionales, en el proyecto financiado con fondos europeos ITEM se investiga dónde, cuándo y por qué se desarrollaron estos artículos y cómo se integraron los motivos y las técnicas extranjeras en las tradiciones locales de regiones geográficamente diversas. Además, el objetivo de ITEM es llevar a cabo un estudio exhaustivo de los mecanismos sociales y económicos que intervienen en la transición de las conexiones comerciales a los intercambios culturales. En última instancia, el proyecto analiza el vínculo entre la circulación de bienes e ideas y los complejos procesos por los que ambas cuestiones están interconectadas.

Objetivo

ITEM is a diachronic and multi-regional reassessment of mechanisms at work in the development of imitations and productions inspired by Cypriot pottery in the Eastern Mediterranean during the Second Millennium BC. The project questions when imitations developed, why they were elaborated, who made them, what their functions were and how foreign motifs and know-how were adopted in the local traditions of the studied areas. ITEM also evaluates how the imitation process is linked to the development of trading connections between Cyprus, the Aegean, Anatolia, the Levant and Egypt and assesses their progressive evolution into cultural exchanges during the Middle and Late Bronze Ages. To bring new perspectives on these issues, the project breaks down disciplinary barriers and combines the application of anthropological and sociological theories with a technological study of the archaeological material by using analytical tools developed in Digital Humanities. The host institution, UPN – UMR ArScAn, will provide training in GIS mapping and RTI photography, which will offer new skills for the analysis of raw materials and relevant chaînes opératoires, and add concrete evidence to support ITEM’s conclusions. Research collaborations with top-rank scholars and international museum institutions will further expand my skillset, build my professional network and refine my ability to transmit results to a broad audience. ITEM explores the boundaries between exchanges of goods and ideas and the processes by which both aspects are interconnected. The limited dataset ensures the feasibility of the project, while the holistic approach makes its outcomes relevant to a wide academic community. The addressed questions and methodology can be utilised in other research fields, regions and periods. Ultimately, ITEM challenges how modern scholarship defines the concept of imitation and measures cultural interactions, a problematic which is relevant far beyond the scope of this project.