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Multiculturalism in the work of Aldo and Hannie van Eyck. Rethinking universalist notions in architecture.

Description du projet

Une nouvelle approche de l’architecture d’après-guerre

Les architectes néerlandais Aldo et Hannie van Eyck ont été parmi les figures les plus influentes de la seconde moitié du 20e siècle. Réputés aux Pays-Bas et dans le monde entier pour leurs efforts remarquables en vue de renouveler l’architecture moderne d’après-guerre, leur travail se caractérise par un mélange hybride d’attitudes universalistes et exotiques. Le projet ACU-AHvE, financé par l’UE, étudiera l’association de l’art non occidental et moderne dans les créations des van Eycks. Cette question sera abordée selon une approche holistique, dans laquelle l’espace, les habitants, les idées politiques et les modes de vie fusionnent pour former une notion multiculturaliste de la société et de l’architecture. Les résultats du projet donneront pour la première fois un aperçu critique de l’influence du «paradigme ethnographique des années 1960» dans l’architecture de l’après-guerre.

Objectif

"Today, we live immersed in a new globalized universalism, an increasingly homogeneous planet where architecture remains dominated by mass media, hindering renewal. However, in the aftermath of WWII, the Dutch architects Aldo and Hannie van Eyck already proposed a profound rethinking of the eurocentrism of his time. In their work, one can observe a hybrid of universalist and exoticist attitudes, looking for both continuity and renewal of the pre-war avant-garde and for critique on capitalist and nationalist ideologies of his time. This research aims to scrutinize the blending of non-western and modern art in the Van Eycks’ designs in a holistic way where space, inhabitants, political ideas and ways of living merge to shape a multiculturalist notion of society and architecture. There have been earlier attempts to study Van Eyck’s relation with the vernacular by Strauven (1998) and recently Jaschke (2011) and Rodríguez (2016), but they focused on form relations or lacked the full archival sources to tackle the issue. Recent research (2018) has uncovered an enormous amount of information that will be used to go beyond state-of-the-art. The multidisciplinary nature of the project is strong, since it will develop an innovative qualitative approach to the architect’s oeuvre from his private house, an Anthropology of Architecture, using his full ethnographical art collection, books, travel pictures and conference slides as an entry to document and unpack the ways domesticity, global travels and art collecting intersect and sustain a non-universal view from which architecture was re-conceptualised. Proper measures will be taken to integrate the research into different areas of expertise. The results would constitute the first critical inquiry on the influence of the ""ethnographic paradigm of the 60s"" in postwar architecture, an example of open and inclusive design practices, hence in line with EU global strategies, helping debates in a post-colonial globalised world."

Coordinateur

TECHNISCHE UNIVERSITEIT DELFT
Contribution nette de l'UE
€ 175 572,48
Adresse
STEVINWEG 1
2628 CN Delft
Pays-Bas

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Région
West-Nederland Zuid-Holland Delft en Westland
Type d’activité
Higher or Secondary Education Establishments
Liens
Coût total
€ 175 572,48