Objective
Thinking of music in Africa, most still have an image dominated by rather traditional African styles or “Africanized” versions of western sounds. Accounting for the striking role of Rock in a foreign setting, it is the central aim of this anthropological research project to rethink the meaning and relevance of popular music in Africa. Based on the interpretation of ethnographic data on Rock and Metal music in Madagascar’s capital city, the project strives for the establishment of an “existential” approach to popular music in Africa that is clearly based on aesthetic experience. Combining theoretical reflections from anthropology, philosophy, musical aesthetics (both of “high” and of popular music) and the ethnomusicology of Africa, the project aims at substantially contributing to cutting-edge debates not only on popular music in Africa, but also on the role of popular culture in anthropology and, subsequently, on the nature of culture more generally. The scientific debate on popular music and its global circulation is vividly advancing in the USA. Being hosted by the Ethnomusicology Dept. at the Univ. of California, an institution internationally recognized for its outstanding expertise, would therefore provide me with the opportunity to develop substantial scholarship in an upcoming field, still widely neglected in European anthropology. Thus, deeply engaging in sophisticated theoretical discussions during a one-year stay at UCLA would not only give me the unique chance to enhance the interpretation of my ethnographic data. It would also allow for expanding and sharpening my academic profile, perfectly qualifying me for reaching professional maturity and independence. Returning to the Univ. of Bayreuth, known for its high expertise on Africa, I will be able to discuss my findings in a larger regional and historical context, feeding my knowledge into various research contexts and networks, by also essentially contributing to a more complex understanding of Africa.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- humanities arts musicology popular music studies
- humanities arts musicology ethnomusicology
- social sciences sociology anthropology
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
FP7-PEOPLE-2009-IOF
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Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Coordinator
95447 Bayreuth
Germany
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.