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African Literary Metadata

Project description

Metadata for African oral and informal literary forms

In Africa, informal literary forms like spoken-word poetry, online genres, and street theatre circulate broadly, while novels remain too expensive for many readers and audiences. Unlike published books, these informal forms of literature lack structured metadata. Funded by the European Research Council, the ALMEDA project explores how colonial cataloguing systems understood literary works as being predominantly book-based and how they disregarded Africa’s rich oral traditions. The project aims to correct this by creating a multilingual metadata framework tailored to both oral and informal literary materials. It will then capture metadata about both historical and present-day oral and informal literary forms. Finally, it will link and make searchable metadata about these non-book literary forms in Africa, thus enabling greater visibility, accessibility, and connectivity of these materials.

Objective

Recent years have seen something of a renaissance in African literature, with African novelists becoming global best-sellers and achieving the world’s highest literary accolades. But published novels are restrictively expensive in Africa itself and the novel form is ill-suited to African everyday life, where people are more likely to spend their leisure time engaging with informal, ephemeral and not-for-profit literary and oratory cultural forms, such as spoken-word poetry, street theatre, and a variety of online genres. These informal African literatures are rarely catalogued and therefore exist outside of any structured metadata system. The consequence is that formally published English and French African novels are hyper-visible globally, while the rich literary and oratory cultures of the continent itself are caught in a perpetual state of structural ephemerality. The ALMEDA project addresses this problem in three ways. First, by providing the first history of literary metadata on the African continent, the project will provide a diachronic understanding of how colonial cataloguing systems came to construct the idea of the ‘literary work’ as book-based and thus dismissive of Africa’s oral cultures. Secondly, ALMEDA aims to develop and publish a metadata scheme specifically designed for these informal literary materials. This scheme will be multilingual, which will enable a unique descriptive model that allows African-language genres to inhabit their own categories, rather than having to be forced into European literary ontologies. Thirdly, the project will develop a linked open metadata repository, populated via an interface that allows non-specialist entry of metadata on literary materials. By creating and linking metadata on this body of work, this repository will constitute a major intervention in African literature by making these literatures searchable and their records enduring, thereby opening up entirely new possibilities for scholarship.

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(opens in new window) ERC-2022-ADG

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Host institution

UPPSALA UNIVERSITET
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 2 042 388,00
Address
VON KRAEMERS ALLE 4
751 05 Uppsala
Sweden

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Region
Östra Sverige Östra Mellansverige Uppsala län
Activity type
Higher or Secondary Education Establishments
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Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

€ 2 042 388,00

Beneficiaries (4)

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