Poetry Off the Page: Literary History and the Spoken Word, 1965-2020

Projektinformationen

POETRY OFF THE PAGE

ID Finanzhilfevereinbarung: 101002816

DOI

10.3030/101002816

EK-Unterschriftsdatum 11 März 2021

Startdatum 1 September 2021

Enddatum 31 August 2027

Finanziert unter

• EXCELLENT SCIENCE - European Research Council (ERC)

Gesamtkosten

€ 1 898 233,00

EU-Beitrag

€ 1 898 233,00

Koordiniert durch

UNIVERSITAT WIEN
Austria

Periodic Reporting for period 3 - POETRY OFF THE PAGE (Poetry Off the Page: Literary History and the Spoken Word, 1965-2020)

Berichtszeitraum: 2024-09-01 bis 2026-02-28

Zusammenfassung vom Kontext und den Gesamtzielen des Projekts

While poetry scholarship conventionally dissociates literary texts from their physical authors, the Poetry Off the Page project aims to reveal the importance of the voice and the human body within the study of poetry and its history. Poetry Off the Page (PoP) investigates the significance of oral poetry performance in recent British and Irish literary history. This is achieved by taking account of the aesthetic and political potential of oral performance as well as the alternative institutional structures, publication channels, career pathways, presentational formats, styles, and poetic genres that have emerged from its dynamic performance scenes. Drawing on, and contributing to, the recent digital SpokenWordArchive.org.uk the PoP Team historicises British and Irish poetry performance. We conduct in-depth studies on the intersections of spoken word poetry with literary and performance traditions, Black British spoken-word poetry, British poetry slam, Irish spoken word, and spoken-word theatre.

A core aim of the project is to articulate multifaceted theoretical and methodological approaches to poetry performance analysis. These make it possible to explore the aesthetic and cultural work of poetry performance: to shed light on poetry’s inheritance and innovative transformation of oral traditions, on the functions of poetry performance as a form of public address and as a vehicle for identity politics, as well as on its relation to emerging communications technologies and their profound impact on how literature is experienced.

Arbeit, die ab Beginn des Projekts bis zum Ende des durch den Bericht erfassten Berichtszeitraums geleistet wurde, und die wichtigsten bis dahin erzielten Ergebnisse

To date, Poetry Off the Page has organized two successful conferences: “Taking the Mic: Black British Spoken Word Poetry Since 1965: Aesthetics, Activisms, Auralities” (18 Nov 2022) and “All Borders Blur: Mapping Intersections and Genre Crossings in UK Spoken-Word Poetries Since 1965” (11-12 Nov 2023). The work from these conferences is currently being channeled into two Special Issue Journals. We have launched a new academic blog (https://poetryoffthepage.net/blog/) for which we are collecting international guest contributions, and a podcast about our work aimed at a wider audience (https://poetryoffthepage.net/popcast/). We have conducted 78 interviews with poets and practitioners in UK and Ireland, and recently launched a digital collection on the University of Vienna’s research repository Phaidra (https://phaidra.univie.ac.at/detail/o:2045471) where our interview recordings will be permanently stored. Russell Thompson, liaison archivist for PoP at our partners Apples&Snakes, oversaw the digitizing of the remaining analogue holdings of the Spoken Word Archive (300 audio cassettes; 180 video cassettes; press cuttings 1982-2000; paperwork 1990s) and completed catalogues of all audio cassettes, video cassettes, born-digital video, CDs and DVDs, and photographs up to the year 2023, thus making vital sources on the history of British poetry performance accessible to the public. The PoP team has also conducted research in a variety of other archives; held workshops on key methods and theories; presented at a range of external conferences; and written/workshopped/produced/submitted articles and book chapters for two PhD theses, journals, the two PoP-edited special issues, a team book centered on the performance event, academic blog entries, and podcast episodes.

Fortschritte, die über den aktuellen Stand der Technik hinausgehen und voraussichtliche potenzielle Auswirkungen (einschließlich der bis dato erzielten sozioökonomischen Auswirkungen und weiter gefassten gesellschaftlichen Auswirkungen des Projekts)

As poetry performance is still a vastly under-researched field, most of our efforts can be seen as going beyond the parameters of established academic research and practice. We articulate multifaceted theoretical and methodological approaches to poetry performance analysis, provide new sources, and cultivate spaces for its study, thus making a fresh intervention in the study of British and Irish literature by which we aim to establish poetry performance research as a recognised branch of literary (-historical) enquiry. In particular, our exploration of the ‘poetry event’ – as both a critical lens on and constituent of literary history – in our joint monograph will open new avenues for approaching poetry history, while the two PhD theses-in-progress develop pioneering work on Irish spoken word poetry and British spoken word theatre.