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Enhancing aesthetic reception of contemporary music through active tempo control with physiological monitoring

Descripción del proyecto

Mejorar la percepción de la música contemporánea compleja

La música contemporánea (MC) compleja promueve la creatividad musical y la evolución cultural de la música. Por desgracia, se sigue viendo como música para un público selecto. Muchos oyentes consideran que es más difícil conectar con la MC, por ejemplo al moverse o al marcar el ritmo con el pie, que la música popular o clásica convencionales. El proyecto EAR Stretch, financiado con fondos europeos, respaldará la apreciación de los oyentes con respecto a la MC mediante interacciones personificadas, al utilizar gestos físicos para controlar el tempo de la música. En concreto, realizará un estudio comparando la escucha interactiva y normal con controles temporales de la MC basados en las pulsaciones, incluidas nuevas MC creadas especialmente para el proyecto. El estudio también investigará las respuestas psicológicas y neuronales subyacentes a las evaluaciones estéticas subjetivas de la MC.

Objetivo

Complex contemporary music (CM) is the crucible for musical invention that exemplifies human creativity. It forms the lifeblood of musical cultural evolution, but can be alienating to the uninitiated. In EAR Stretch, we propose to help non-specialized listeners gain a deeper appreciation for CM through embodied interaction with temporal expression of the music. When communicating music, skilled performers often help listeners make sense of the music through expressive prosodic inflections of timing and tempo. In familiar music, listeners can often recognize the pulse and tap a foot along to the expressed beat. But in CM, listeners’ internalization of the beat and subsequent embodied reactions may be limited. The embodied cognition that comes from physically engaging with time—including organization of intrinsic brain activity and changes in perception—may be lacking in CM listening, contributing to poor reception. We hypothesize that empowering listeners to physically control the temporal expression of CM will lead to improved reception of the music as measured by neural and physiological changes and aesthetic evaluation of the music. Our main objective is to determine the impact of motor-based temporal engagement with CM on the listener-performer’s reception of the music. Acoustic- and complexity-matched CM compositions will be created specially for a psychophysiological study comparing normal listening to interactive listening with tapping-based temporal control. Objective measures, neural and physiological responses, will probe the underlying causes of subjective aesthetic evaluations and elucidate the roles of arousal, attention, and entrainment in these sources. Positive impact of interactive, embodied engagement with CM will transform the CM landscape, inspire the redesign of concert experiences, promote social inclusion, and propel CM into the musical vernacular, inciting cultural and intellectual development.

Coordinador

CENTRE NATIONAL DE LA RECHERCHE SCIENTIFIQUE CNRS
Aportación neta de la UEn
€ 196 707,84
Dirección
RUE MICHEL ANGE 3
75794 Paris
Francia

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Región
Ile-de-France Ile-de-France Paris
Tipo de actividad
Research Organisations
Enlaces
Coste total
€ 196 707,84