Descrizione del progetto
Abbinare immagini e parole per comprendere la vita monastica femminile
Sono sopravvissuti numerosi manufatti materiali, opere artistiche e letterarie che rappresentano la vita monastica femminile nei monasteri iberici (1350-1550), creati dalle suore che vivevano nel convento. Se studiati separatamente, come ambiti culturali differenti, sono di difficile interpretazione, il che potrebbe dare adito a fraintendimenti. Per superare questa difficoltà, il progetto LITVIS, finanziato dall’UE, si propone di adottare una prospettiva congiunta all’avanguardia nel rivolgersi ad arti visive, testi e rituali, nel loro contesto comune della vita monastica. Il lavoro contribuirà a chiarire, abbinare e comprendere come e perché sono stati sviluppati determinati oggetti e testi, così come il loro ruolo e la loro inclusione nella vita monastica.
Obiettivo
This project aims to assess the existence of interrelations between the nuns’ literary and visual cultures in the shaping of female monastic life in the Iberian nunneries (c. 1350-1550), since the rising suggestions on the mutual influences between the use and development of texts and artworks in conventual context demand that these phenomena be analysed as part of the same equation in order to be fully understood. By addressing these communities' visual and literary cultures and their religious praxis from a joined perspective, LITVIS will contribute for the further comprehension of artworks, texts and rituals that shaped monastic life, unveiling information about their development, functionality and reception that could not be obtain when inquiring those phenomena individually as has been happening until now, not only in Iberia, but also at an European level. The surviving of important elements of material culture in the Iberian Peninsula - such as conventual inventories, books and artworks -, can enable a study that will further analyse what informed the nuns’ choice and use of artworks and texts and if and how both media were interconnected in monastic life. This entails a change of focus from the isolated object (an artwork or text) and its formal characteristics, to its functionality and reception, acknowledging it as part of the religious praxis to which it bears witness. Such a task demands an interdisciplinary study that brings together the fields of Art History, Literature, and Religious History, borrowing notions born within the Cultural Studies, such as Visual Culture and Literary Culture.
Campo scientifico
Parole chiave
Programma(i)
Argomento(i)
Meccanismo di finanziamento
MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF)Coordinatore
08002 Barcelona
Spagna