The project SCENIC aims to complete and update Margherita Guarducci’s Inscriptiones Creticae [I.Cret.] I–IV (Rome, 1935-1950). This work currently lacks both a fifth volume containing inscriptions from unknown findspots or unlocated poleis (I.Cret. V) and a supplement covering inscriptions discovered over the past 70–90 years.
The planned Supplementum Creticum [Suppl.Cret.] aims, for the first time, to collect the inscriptions from unknown findspots or unlocated poleis (I.Cret. V), as well as inscriptions discovered after the publication of I.Cret. focusing on the area west of the Knossos – Phaistos axis. East of this axis lie Lyktos and Gortyna, the two most epigraphically productive poleis in Crete, and two projects are currently dedicated to the study of their inscriptions. The Lyktos Archaeological Project was launched in 2021 under the direction of Angelos Chaniotis and Antonis Kotsonas. An update of I.Cret. IV (Tituli Gortynii, 1950) is not needed, as it would overlap with the project Il paesaggio epigrafico di Gortyna, directed by Fabrizio Oppedisano, Anna Magnetto and Ignazio Tantillo.
Alongside stone inscriptions, the project will also examine mosaics, graffiti, bronze tablets, and gold lamellae. Whereas Guarducci, following some older volumes of Inscriptiones Graecae [IG], considered all inscriptions, regardless of the material support on which they are engraved or painted, the new tendency of the IG to exclude not only Latin inscriptions, but also those written on ceramics and lead. This approach would make the SCENIC project more feasible, given the large number of ceramic and lead inscriptions, including painted pottery, instrumentum domesticum (e.g. loom weights), and instrumentum publicum (e.g. lead pipes). The findspots of inscribed ceramics are often unknown or distant from their places of production due to ancient trade.
The epigraphical reports consist of the classical scholarly work of collecting the bibliography of each edited inscription, creating an apparatus criticus, and producing the final edition of the text, which may include new readings or exegeses. Images of the inscriptions require specific authorization. Study permits allow scholars to study, photograph, publish, and sometimes make squeezes of inscriptions. Ideally, each inscription in the Suppl. Cret. would have a photograph, but this would require hundreds of permits, even for previously published images. Priority will therefore be given to inscriptions without existing images in scientific publications. Many inscriptions have been lost, with only their texts preserved, making published images unavailable.
Edited and unedited inscriptions of the Suppl.Cret. require different management. New epigraphic discoveries generally appear in scientific journals. Some monographs also focus on inscriptions from specific Cretan locations, such as the Asklepieion of Lissos or Polyrrhenia. Collecting published inscriptions is facilitated by tools such as Supplementum Epigraphicum Graecum [SEG], Bulletin épigraphique [Bull.ép.], and Trismegistos. The publication of unedited inscriptions that are not under active study is the most challenging aspect. Obtaining publication rights from Ephorates of Antiquities or museums can take up to a year. Regular contact with these institutions is essential for securing permission to publish unedited inscriptions, while networking can also provide early knowledge of newly discovered inscriptions. However, obtaining permission to publish them may still take up to a year. Consequently, it has only been possible to focus on unedited inscriptions from Western Crete. The Suppl.Cret. number assigned to both edited and unedited inscriptions from Crete could serve as a widely recognized persistent identifier within the scholarly community. For edited inscriptions, this would correspond to the number already assigned by Trismegistos. The results could be regularly updated, and such a platform would attract the attention not only of scholars but also of a non-specialist public. An English translation will therefore be provided in the open-access digital edition.