Description du projet
Interagir avec la tradition islamique dans une société à majorité non musulmane
Comment les musulmans interagissent-ils avec la tradition islamique (vis-à-vis des exigences de l’État et de la société majoritairement non musulmane, et avec d’autres individus) pour façonner leur conception personnelle du soi? Comment cette individualité est-elle communiquée aux autres, dans des lettres d’amour, d’amitié ou traitant d’une multitude d’autres questions personnelles? Quel est le rôle de l’esthétique dans les récits traitant du sujet musulman – comment une image de soi acquiert-elle une forme littéraire, par exemple, lorsque les expériences sont transposées en poésie? Comment les musulmans définissent-ils les autres musulmans lorsqu’ils produisent des biographies et comment se dépeignent-ils dans les autobiographies? Et, enfin, comment les musulmans utilisent-ils la photographie pour exprimer leur individualité? Le projet MIND, financé par l’UE, répondra à ces questions en analysant les pratiques d’individualisation dans les archives personnelles des musulmans en Russie.
Objectif
For European historiography, it is self-evident that diaries, correspondences, and other personal documents provide crucial insights not only into how individuals thought about certain issues, but also in how the authors expressed their individuality, and how they saw their active role in history. This holds true both for prominent and ordinary persons, and for a whole variety of genres. In the historiography of Muslim societies, expressions of individuality are rarely ever problematized; the individual is often seen merely as part of a faith community, and the writings of individuals are more often than not just treated as a source for factual information on Islam, politics, or broader social phenomena, not as an effort of personal self-reflection.
By analyzing practices of individualization in the personal archives of Muslims in Russia, this program places the Muslim subject at the center. How does a person engage with the Islamic tradition, with the demands of the state and the non-Muslim majority society, but also with other individuals, to design his or her conception of the self (Ar., shakhsiyya)? How is this individuality communicated to others, in letters about love, friendship, or a plethora of other personal matters (SP1)? What is the role of aesthetics in the narratives of the Muslim subject – how does a self-concept obtain a literary form, for instance when experiences are turned into poetry (SP2)? How do Muslims characterize other Muslims when they produce biographies (SP3), and how do they portray themselves in autobiographies (SP4)? And finally, how do Muslims employ photography for expressing their individuality, their belonging to tradition or to the contrary their difference; and how did visual self-conceptions develop, according to personal tastes, values, attitudes, and by mobilizing certain historical heritages (SP5)? Designed according to archival genres, the subprojects contribute to the central hypothesis of a Muslim culture of individuality.
Champ scientifique
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Régime de financement
ERC-STG - Starting GrantInstitution d’accueil
1012WX Amsterdam
Pays-Bas