Descripción del proyecto
Compromiso con la tradición islámica en la sociedad mayoritaria no musulmana
¿Cómo se comprometen los musulmanes con la tradición islámica (requisitos de cara al Estado y la sociedad mayoritaria no musulmana, y con otras personas) para formar su concepción personal de uno mismo? ¿Cómo se le comunica esta individualidad a los demás, en cartas sobre el amor, la amistad o un gran número de otras cuestiones personales? ¿Qué papel desempeña la estética en la narrativa del sujeto musulmán, cómo adopta una forma literaria un concepto de sí mismo, por ejemplo cuando las experiencias se vierten en poesía? ¿Cómo caracterizan los musulmanes a otros musulmanes cuando elaboran biografías, y cómo se representan a sí mismos en las autobiografías? Y, finalmente, ¿cómo emplean los musulmanes la fotografía para expresar su individualidad? El proyecto MIND, financiado con fondos europeos, responderá estas preguntas analizando prácticas de individualización en archivos personales de musulmanes en Rusia.
Objetivo
For European historiography, it is self-evident that diaries, correspondences, and other personal documents provide crucial insights not only into how individuals thought about certain issues, but also in how the authors expressed their individuality, and how they saw their active role in history. This holds true both for prominent and ordinary persons, and for a whole variety of genres. In the historiography of Muslim societies, expressions of individuality are rarely ever problematized; the individual is often seen merely as part of a faith community, and the writings of individuals are more often than not just treated as a source for factual information on Islam, politics, or broader social phenomena, not as an effort of personal self-reflection.
By analyzing practices of individualization in the personal archives of Muslims in Russia, this program places the Muslim subject at the center. How does a person engage with the Islamic tradition, with the demands of the state and the non-Muslim majority society, but also with other individuals, to design his or her conception of the self (Ar., shakhsiyya)? How is this individuality communicated to others, in letters about love, friendship, or a plethora of other personal matters (SP1)? What is the role of aesthetics in the narratives of the Muslim subject – how does a self-concept obtain a literary form, for instance when experiences are turned into poetry (SP2)? How do Muslims characterize other Muslims when they produce biographies (SP3), and how do they portray themselves in autobiographies (SP4)? And finally, how do Muslims employ photography for expressing their individuality, their belonging to tradition or to the contrary their difference; and how did visual self-conceptions develop, according to personal tastes, values, attitudes, and by mobilizing certain historical heritages (SP5)? Designed according to archival genres, the subprojects contribute to the central hypothesis of a Muslim culture of individuality.
Ámbito científico
Palabras clave
Programa(s)
Régimen de financiación
ERC-STG - Starting GrantInstitución de acogida
1012WX Amsterdam
Países Bajos