Over the past 2.5 years, the TRANSFORM project has responded to restrictions on travel by focusing on two things: developing theory related to objects and crime, and focusing on the digital spaces where humans and objects meet and, at times, on digital objects. Unlike other branches of social science and unlike the material humanities, Criminology has only lightly considered the role objects play in human relationships (and crime) meaning that we have had a lot of work to do developing this area. Drawing on the emerging fields of sensory criminology and the criminology of atmosphere and affect, we have now authored numerous papers and book chapters to consider these concepts in relation to various forms of object related crime. This has included a focus on crime at remote rock art sites in the American Southwest, the affective atmosphere of art fairs, the disruptive nature of T. rex fossils, NFTs in the metaverse, the transnational lure of succulents, security and the collectable snake trade from Africa to Europe, and the narratives of violence that underpin sales of cultural objects from the South Pacific. We are starting to paint a picture of multiple networks of agentic objects that act on humans and cause them to act; an irresistible 'desirescape' of relationships that push humans to suspend judgement, spend large sums of money, and at times break the law.