Film Studios: Infrastructure, Culture, Innovation in Britain, France, Germany and Italy, 1930-60.

Pubblicazioni

Acoustic Insulation: Italian Film Studios' Material Transition to Sound

Autori: Carla Mereu Keating
Pubblicato in: Retuning the Screen: Sound Methods and the Aural Dimension of Film and Media History, 2021, Pagina/e 95-105
Editore: Gorizia Film Forum

An epistolary history of Indo-German film relations

Autori: Eleanor Halsall
Pubblicato in: The Bombay Talkies Limited: Akteure - deutsche Einflüsse - kulturhistorischer Kontext, 2021, Pagina/e 137-172
Editore: Utzverlag

Emil Schünemann: ein 'früher bestbewährter Kameramann'

Autori: Eleanor Halsall
Pubblicato in: Die Kamera Im Fokus: Von Der Gekurbelten Zur Digitalen Filmkunst in Der Deutschen Kinematografie, 2024, Pagina/e 1-14
Editore: Cinegraf

Pinewood Studios, the Independent Frame, and Innovation

Autori: Sarah Street
Pubblicato in: n the Studio: Visual Creation and its Material Environments (Ed. Brian R. Jacobson), 2020, Pagina/e 103-121, ISBN 9780520297609
Editore: University of California Press

L'acteur: un travailleur des studios comme un autre? Place des acteurs dans le système des studios français des années 1930

Autori: Morgan Lefeuvre
Pubblicato in: Création Collective au Cinema, Numero 4, 2021, Pagina/e 19-38, ISSN 2780-0288
Editore: Création Collective au Cinema

The Prudential Group Archive: Alexander Korda, London Film Productions and Denham Studios

Autori: Sarah Street
Pubblicato in: Journal of British Cinema and Television, Numero 17434521, 2022, Pagina/e 447-469, ISSN 1743-4521
Editore: Edinburgh University Press
DOI: 10.3366/jbctv.2022.0642

On Method Building: A Half-Century of Research on Gender and Labour in the Italian Audiovisual Industries

Autori: Rosa Barotsi, Gloria Dagnino, Carla Mereu Keating
Pubblicato in: Communication Sociali Journal of Media, Performing Arts and Cultural Studies, Numero Three issues a year, 2023, ISSN 1827-7969
Editore: Vita e Pensiero
DOI: 10.26350/001200_000180

Designing the ideal film studio in Britain

Autori: Sarah Street
Pubblicato in: Screen, Numero 62/3, 2021, Pagina/e 330-358, ISSN 0036-9543
Editore: Oxford University Press
DOI: 10.1093/screen/hjab034

The English Hollywood that wasn't: shadow history and Esher's unbuilt film studios

Autori: Richard Farmer
Pubblicato in: Historical Journal of Film, Radio and Television, 2022, ISSN 1465-3451
Editore: Taylor and Francis
DOI: 10.1080/01439685.2022.2091262

Bringing 'the whole world on to the British screen: Back Projection and British Film Studios in the 1930s and 1940s

Autori: Sarah Street
Pubblicato in: Journal of British Cinema and Television, 2022, Pagina/e 295-324, ISSN 1755-1714
Editore: Edinburgh University Press
DOI: 10.3366/jbctv.2022.0628

Clear for Action: Fog in UK Film Studios

Autori: Richard Farmer
Pubblicato in: CIBSE Journal (Chartered Institution of Building Services Engineers), Numero March 2022, 2022, Pagina/e 42-3, ISSN 1759-846X
Editore: Cambridge Publishers Ltd

Meteorology and British film studios: an article of the London fog

Autori: Richard Farmer
Pubblicato in: Historical Journal of Film, Radio and Television, 2021, Pagina/e 1-21, ISSN 0143-9685
Editore: Carfax Publishing Ltd.
DOI: 10.1080/01439685.2021.1922033

‘The “Centre of World Cinema”. The Roman-ness of Film Production between Decentralising Plans and Internationalisation’,

Autori: Carla Mereu Keating
Pubblicato in: L'avventura, International Journal of Italian Film and Media Landscapes, Numero 6th monthly, 2023, Pagina/e 53-72, ISSN 2421-6496
Editore: Mulino
DOI: 10.17397/109028

Requisitioning film studios in wartime Britain

Autori: Sarah Street
Pubblicato in: Historical Journal of Film, Radio and Television, 2022, ISSN 1465-3451
Editore: Taylor and Francis
DOI: 10.1080/01439685.2022.2091266

The Spatiality of Film Production and the Politics of Urban Planning: Rome's Pioneering Film Studio Cines (1905-37)

Autori: Carla Mereu Keating
Pubblicato in: Film History, Numero vol. 33 no. 3, 2021, 2021, Pagina/e 37-65, ISSN 0892-2160
Editore: Indiana University Press

‘“Bridal Outfits from the Heart of Filmland!”: Clothes Rationing, Wartime Film Production and Gainsborough’.

Autori: Richard Farmer
Pubblicato in: Journal of British Cinema and Television, Numero vol. 21, no. 2, 2024, Pagina/e 215-38, ISSN 1743-4521
Editore: Edinburgh University Press
DOI: 10.3366/jbctv.2024.0714

Cutting their cloth, counting their coupons: clothes rationing and British film production in the 1940s

Autori: Richard Farmer
Pubblicato in: Screen, Numero vol. 65, no. 1, 2024, Pagina/e 1-24, ISSN 1460-2474
Editore: Oxford University Press
DOI: 10.1093/screen/hjae007

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