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Film Studios: Infrastructure, Culture, Innovation in Britain, France, Germany and Italy, 1930-60.

Publikacje

Acoustic Insulation: Italian Film Studios' Material Transition to Sound

Autorzy: Carla Mereu Keating
Opublikowane w: Retuning the Screen: Sound Methods and the Aural Dimension of Film and Media History, 2021, Page(s) 95-105
Wydawca: Gorizia Film Forum

An epistolary history of Indo-German film relations

Autorzy: Eleanor Halsall
Opublikowane w: The Bombay Talkies Limited: Akteure - deutsche Einflüsse - kulturhistorischer Kontext, 2021, Page(s) 137-172
Wydawca: Utzverlag

Emil Schünemann: ein 'früher bestbewährter Kameramann'

Autorzy: Eleanor Halsall
Opublikowane w: Die Kamera Im Fokus: Von Der Gekurbelten Zur Digitalen Filmkunst in Der Deutschen Kinematografie, 2024, Page(s) 1-14
Wydawca: Cinegraf

Pinewood Studios, the Independent Frame, and Innovation

Autorzy: Sarah Street
Opublikowane w: n the Studio: Visual Creation and its Material Environments (Ed. Brian R. Jacobson), 2020, Page(s) 103-121, ISBN 9780520297609
Wydawca: University of California Press

L'acteur: un travailleur des studios comme un autre? Place des acteurs dans le système des studios français des années 1930

Autorzy: Morgan Lefeuvre
Opublikowane w: Création Collective au Cinema, Issue 4, 2021, Page(s) 19-38, ISSN 2780-0288
Wydawca: Création Collective au Cinema

The Prudential Group Archive: Alexander Korda, London Film Productions and Denham Studios

Autorzy: Sarah Street
Opublikowane w: Journal of British Cinema and Television, Issue 17434521, 2022, Page(s) 447-469, ISSN 1743-4521
Wydawca: Edinburgh University Press
DOI: 10.3366/jbctv.2022.0642

On Method Building: A Half-Century of Research on Gender and Labour in the Italian Audiovisual Industries

Autorzy: Rosa Barotsi, Gloria Dagnino, Carla Mereu Keating
Opublikowane w: Communication Sociali Journal of Media, Performing Arts and Cultural Studies, Issue Three issues a year, 2023, ISSN 1827-7969
Wydawca: Vita e Pensiero
DOI: 10.26350/001200_000180

Designing the ideal film studio in Britain

Autorzy: Sarah Street
Opublikowane w: Screen, Issue 62/3, 2021, Page(s) 330-358, ISSN 0036-9543
Wydawca: Oxford University Press
DOI: 10.1093/screen/hjab034

The English Hollywood that wasn't: shadow history and Esher's unbuilt film studios

Autorzy: Richard Farmer
Opublikowane w: Historical Journal of Film, Radio and Television, 2022, ISSN 1465-3451
Wydawca: Taylor and Francis
DOI: 10.1080/01439685.2022.2091262

Bringing 'the whole world on to the British screen: Back Projection and British Film Studios in the 1930s and 1940s

Autorzy: Sarah Street
Opublikowane w: Journal of British Cinema and Television, 2022, Page(s) 295-324, ISSN 1755-1714
Wydawca: Edinburgh University Press
DOI: 10.3366/jbctv.2022.0628

Clear for Action: Fog in UK Film Studios

Autorzy: Richard Farmer
Opublikowane w: CIBSE Journal (Chartered Institution of Building Services Engineers), Issue March 2022, 2022, Page(s) 42-3, ISSN 1759-846X
Wydawca: Cambridge Publishers Ltd

Meteorology and British film studios: an article of the London fog

Autorzy: Richard Farmer
Opublikowane w: Historical Journal of Film, Radio and Television, 2021, Page(s) 1-21, ISSN 0143-9685
Wydawca: Carfax Publishing Ltd.
DOI: 10.1080/01439685.2021.1922033

‘The “Centre of World Cinema”. The Roman-ness of Film Production between Decentralising Plans and Internationalisation’,

Autorzy: Carla Mereu Keating
Opublikowane w: L'avventura, International Journal of Italian Film and Media Landscapes, Issue 6th monthly, 2023, Page(s) 53-72, ISSN 2421-6496
Wydawca: Mulino
DOI: 10.17397/109028

Requisitioning film studios in wartime Britain

Autorzy: Sarah Street
Opublikowane w: Historical Journal of Film, Radio and Television, 2022, ISSN 1465-3451
Wydawca: Taylor and Francis
DOI: 10.1080/01439685.2022.2091266

‘“Bridal Outfits from the Heart of Filmland!”: Clothes Rationing, Wartime Film Production and Gainsborough’.

Autorzy: Richard Farmer
Opublikowane w: Journal of British Cinema and Television, Issue vol. 21, no. 2, 2024, Page(s) 215-38, ISSN 1743-4521
Wydawca: Edinburgh University Press
DOI: 10.3366/jbctv.2024.0714

Cutting their cloth, counting their coupons: clothes rationing and British film production in the 1940s

Autorzy: Richard Farmer
Opublikowane w: Screen, Issue vol. 65, no. 1, 2024, Page(s) 1-24, ISSN 1460-2474
Wydawca: Oxford University Press
DOI: 10.1093/screen/hjae007

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