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'Translatio.’ The art of (re)moving relics and reforming holiness in Europe’s borderlands.

Project description

The importance of holy relics revisited

Relics of saints and holy persons were important for Catholic communities. Tens of thousands of exchanges of holy bones and other sacred relics of saints have been documented between 1600 and 1800. The ceremonial relocation of the relics – known as the religious ritual of ‘translatio’ took place between Catholic communities along the Italian peninsula and Lutheran and Catholic groups in Catholicism’s northernmost Nordic-Baltic borderlands. In this context, the EU-funded TRANSLATIO project will consider how the art, architecture and material memory culture of ‘translatio’ has continued to shape European borderlands’ identities into the present. One of the aims will be to open new perspectives for how scientific studies might reframe complex much-needed interconnected histories of Europe.

Objective

Between 1600 and 1800 more than 35,000 cases are documented of the exchange of skeletons and other sacred relics of saints between Catholic communities along the Italian peninsula and Lutheran and Catholic groups in Catholicism’s northernmost Nordic-Baltic borderlands, according to the religious ritual of ‘translatio’ (‘translation’)—the ceremonial relocation of relics of saints and holy persons. The art, architecture and material memory culture of translatio has continued to shape European borderlands identities into the present. This project aims to rewrite the ritualized relic into the history of modern Europe, reassessing the underestimated yet crucial role of relics and the artistic-material culture of religious ritual as generators of interreligious reconciliation and identity formation across Europe’s seemingly most insurmountable divides from the early modern period (c. 1500-1700) through the present day. Although recent shifts in scholarship have moved away from disciplinary boundaries to reframe more inclusive European histories, oppositional theoretical models dominate historical analysis, resulting in isolationist or antagonist historical narratives that fail to account for the interconnectedness of European historical experience. My project TRANSLATIO aims to: 1) rewrite a trans-European revisionist history of the art, architecture and material culture of the ritualized relic over the longue durée that sets diverse religious cultures in conversation rather than opposition and plots the Nordic-Baltic sphere against a broader European transregional context and 2) develop an adaptable multi- or poly-comparative model for non-oppositional translational historical analysis that will pave the way to open new perspectives for how scientific studies might reframe complex much-needed interconnected histories of Europe. As a showcase of my poly-comparative translational methodology, I will write a research monograph and create an open-access website.

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Topic(s)

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MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF)

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Call for proposal

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(opens in new window) H2020-MSCA-IF-2018

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Coordinator

NATIONALMUSEET
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 207 312,00
Address
FREDERIKSHOLMS KANAL 12
1220 Kobenhavn
Denmark

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Region
Danmark Hovedstaden Byen København
Activity type
Research Organisations
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Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

€ 207 312,00
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