Description du projet
Technologies sonores de rue: culture, diaspora et connaissances
Les technologies sonores de rue (SST pour «Sonic street technologies») font leur apparition au sein d’environnements marginaux dans des villes et des sociétés du Sud, devenant une composante essentielle de la culture populaire. Les «sound systems» reggae en Jamaïque, la scène mobile de carnaval appelée «trio électrico» au Brésil, les «sonideros» ou DJ au Mexique et les «picós», des blocs d’enceintes disposés dans des caissons, en Colombie, font partie des représentants de ces technologies «de rue» émergentes. Le projet SST, financé par l’UE, étudie les pratiques et les techniques perfectionnées utilisées par les SST et les motivations sociales et culturelles dans leurs communautés d’origine. Le projet cartographiera la «diaspora technologique» des SST et utilisera une méthodologie d’études culturelles pour comparer les différentes SST locales, étudier leurs conditions sociales et économiques et détecter les potentielles influences jamaïcaines ou africaines. Le projet aborde les relations entre la culture et la technologie, la manière dont elles génèrent de nouvelles connaissances et la mesure dans laquelle les innovations de faible technicité des SST peuvent produire des alternatives contribuant à l’autodétermination et au bien‑être individuels et communautaires.
Objectif
This project claims that ‘sonic street technologies’ (SST) provide a new, productive and urgently required understanding of the social, cultural and political nature of technology. Jamaican reggae sound systems, Brazilian mobile carnival trio electrico, Mexican sonideros and Colombian los picos are examples of such ‘street’ technologies. In the global south they are played out of doors and are an essential part of popular culture. These are re-purposed, hacked, DIYed, pirated, customized and creolized assemblages that generate intensive auditory experience for their audience by playing recorded music.
This project investigates the sophisticated practices and techniques by which SST are designed, produced and operated, as well as their social and cultural purposes in the communities in which they originate. SST are subaltern achievements operating in the ghettos and favelas at the margins of the cities and societies whose mass-produced machinery they often cannibalise.
This project maps what is describes as the ‘technological diaspora’ of the SST themselves. A cultural studies approach compares different local SST, their social and economic circumstances, and the presence or absence of Jamaican or African influence. A practice-as-research methodology gives local SST practitioners a share in the research process with workshops, conferences and an online resource. This helps to establish the alternatives to conventional ideas of design and production processes, as well as scientific knowledge itself.
By de-colonizing technology, the project addresses the pressing need to understand how technology actually works in practice. This is ever more urgent with the ‘existential’ threat of AI and killer robots, together with technology’s imbrication in climate catastrophe and digital social media’s erosion of democratic processes and privacy. Instead SST low-tech innovations generate solutions for individual and community well-being and self-determination.
Champ scientifique
Mots‑clés
Programme(s)
Régime de financement
ERC-COG - Consolidator GrantInstitution d’accueil
SE14 6NW London
Royaume-Uni