Middlebrow Modernity: Irish Writers and The New Yorker in the Mid-Twentieth Century

Informacje na temat projektu

IWandTNYinMID20thC

Identyfikator umowy o grant: 101060007

DOI

10.3030/101060007

Realizacja projektu zakończyła się 28 Lipca 2024

Data podpisania przez KE 30 Czerwca 2022

Data rozpoczęcia 1 Października 2022

Data zakończenia 30 Września 2024

Finansowanie w ramach

• Marie Skłodowska-Curie Actions (MSCA)

Koszt całkowity

Brak danych

Wkład UE

€ 175 920,00

Koordynowany przez

KATHOLIEKE UNIVERSITEIT LEUVEN
Belgium

Periodic Reporting for period 1 - IWandTNYinMID20thC (Middlebrow Modernity: Irish Writers and The New Yorker in the Mid-Twentieth Century)

Okres sprawozdawczy: 2022-10-01 do 2024-09-30

Podsumowanie kontekstu i ogólnych celów projektu

The main objective of the project to provide a cultural history of Irish writers' connections with The New Yorker in the mid-twentieth century. I will first conduct a comprehensive survey of Irish writers' contributions in The New Yorker from 1940 to 1980. Based on this survey, I will offer fresh readings of the Irish stories within the publishing context of the magazine. This close reading will be guided by the methodologies of periodical studies, the new modernist studies, and middlebrow culture studies. In addition, I will conduct archival research to look at contracts, payments, and editorial letters to establish the financial and editorial relationships between the Irish writers and The New Yorker.

Telling the cultural history of Irish writers' connections with one of the most important American magazines, this project will contribute to a better understanding of the transatlantic dimension of Irish literary production in the mid-twentieth century. This understanding will in turn provide an important historical account to position Irish literature in the global literary marketplace from the twentieth century to our present time.

Prace wykonane od początku projektu do końca okresu sprawozdawczego oraz najważniejsze dotychczasowe rezultaty

I used The New Yorker's digital archive to carefully document Irish writers publishing in the magazine from 1940 to 1980. I also conducted archival research and consulted secondary references (individual writers' bibliographies, memoirs, and collections of letters) to ensure the accuracy of the record. This survey is published as a digital dataset via KU Leuven's digital repository RDR.

Based on this survey, I performed close reading of the Irish texts, using the methodologies and critical frameworks of periodical studies, the new modernist studies, and middlebrow culture studies. This critical engagement of the texts resulted in two journal articles: one in the Irish University Review, the other in the Journal of Modern Periodical Studies. These two journals are leading publications in the fields of Irish studies and periodical studies. I have also submitted an article for an edited volume, the Edinburgh Companion to Irish Literature and Periodical Culture, which is forthcoming in 2025/2026.

I submitted a book proposal, along with a sample chapter, to Liverpool University Press. The proposal is still under review.

Innowacyjność oraz oczekiwany potencjalny wpływ (w tym dotychczasowe znaczenie społeczno-gospodarcze i szersze implikacje społeczne projektu)

Irish writers' remarkable presence in The New Yorker has been noticed by critics, but no extensive research has been done on this topic. This MSCA project will fill in this critical gap. It will also provide an important reference point for further investigation of Irish writers publishing in other American magazines during the mid-twentieth century. In addition to The New Yorker, Irish writers published widely in other American commercial magazines, including the Saturday Evening Post, the Ladies' Home Journal, Esquire, Vogue, Mademoiselle, and Harper's Bazaar, etc. How extensive was this Irish presence in comparison to other foreign national groups? What were the driving forces of Irish writers seeking publishing opportunities in the US? How did the US magazine market shaped the Irish literary production in the mid-century and beyond? These questions await further critical investigation.