Raising co-creativity in cyber-human musicianship

Combining Real-Time Extraction and Prediction of Musical Chord Progressions for Creative Applications.

Autorzy: Tristan Carsault, Jérôme Nika, Philippe Esling, Gérard Assayag.
Opublikowane w: Electronics, MDPI, 2021, 10 (21), pp.2634., 2021, ISSN 2079-9292
Wydawca: MDPI
DOI: 10.3390/electronics10212634

"L'hybridité vue à partir du sujet : le cas de Charles Kely Zana-Rotsy et l'""open gasy"""

Autorzy: Marc Chemillier, Yuri Prado
Opublikowane w: Cahiers d'ethnomusicologie, Ateliers d'ethnomusicologie n° 36, 2023, 2023, ISSN 2235-7688
Wydawca: OpenEdition

Valeur de la musique sur TikTok et nouvelles pratiques musicales

Autorzy: Marc Chemillier, Yohann Rabearivelo
Opublikowane w: Volume!, numéro spécial La valeur de la musique à l'ère des plateformes de streaming, 2023, 2023, ISSN 1950-568X
Wydawca: OpenEdition

Switching Machine Improvisation Models by Latent Transfer Entropy Criteria

Autorzy: S. Dubnov, V. Gokul, G. Assayag
Opublikowane w: Physical Sciences Forum. 2022; 5(1):49, 2022, ISSN 2673-9984
Wydawca: MDPI
DOI: 10.3390/psf2022005049

Co-créativité humains-machines. Une réflexion sur les indisciplines symboliques.

Autorzy: Gérard Assayag
Opublikowane w: Revue Francophone d'Informatique et Musique, Association Francophone d'Informatique Musicale, 2020., 2021, ISSN 2261-8589
Wydawca: Association Francophone d'Informatique Musicale

Predictive Quantization and Symbolic Dynamics

Autorzy: Shlomo DUBNOV
Opublikowane w: Algorithms; Volume 15; Numer 12; Pages: 484, 2022, Numer 1, 2022, ISSN 1999-4893
Wydawca: MDPI Open Access Publishing
DOI: 10.3390/a15120484

Somax2 : REACHing Cocreative Interaction

Autorzy: Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borg
Opublikowane w: Computer Music Journal vol 46 no. 4 (accepted), 2023, ISSN 0148-9267
Wydawca: MIT Press

Observing Musical Communities Dedicated to Improvisation on TikTok Using Web Scraping

Autorzy: Marc Chemillier, Yohann Rabearivelo, Rémi Jaylet
Opublikowane w: Musicologica Austriaca - Journal for Austrian Music Studies, Special Numer TikTok-Music-Cultures. Perspectives on the Study of Musicking Practices On & Through TikTok, Spring 2023, 2023, ISSN 2411-6696
Wydawca: Austrian Society for Musicology (ÖGMW)

With, against, or without? Familiarity and copresence increase interactional dissensus and relational plasticity in freely improvising duos.

Autorzy: Théo Golvet, Louise Goupil, Pierre Saint-Germier, Benjamin Matuszewski, Gérard Assayag, et al.
Opublikowane w: Psychology of Aesthetics, Creativity, and the Arts, American Psychological Association, 2021, Numer 19313896, 2021, ISSN 1931-3896
Wydawca: American Psychological Association
DOI: 10.1037/aca0000422

Mathematical Morphology Operators for Harmonic Analysis

Autorzy: Gonzalo Romero-García, Isabelle Bloch, Carlos Agón
Opublikowane w: Lecture Notes in Computer Science book series (LNAI,volume 13267), 2022
Wydawca: Springer
DOI: 10.1007/978-3-031-07015-0_21

Computational Analysis of Musical Structures based on Morphological Filters.

Autorzy: Paul Lascabettes, Carlos Agon, Moreno Andreatta, Isabelle Bloch
Opublikowane w: MCM 2022 - 8th International Conference Mathematics and Computation in Music, Jun 2022, Atlanta, United States., 2022
Wydawca: Lecture Notes in Computer Science book series (LNAI,volume 13267)

A Polytemporal Model for Musical Scheduling.

Autorzy: Fouilleul M., Bresson J. Giavitto J.-L. A
Opublikowane w: 15th International Symposium on Computer Music Multidisciplinary Research, Nov 2021, Tokyo (online), Japan, 2021
Wydawca: CMMR

Machine-man Co-improvisation: Incursion of Djazz in Flamenco

Autorzy: Séraphin Costa, Dominique Costa, Mikhail Malt, Marc Chemillier, Gérard Assayag
Opublikowane w: SOMOS 2022, ICTM Study Group on Sound, Movement and the Sciences, 2022
Wydawca: SOMOS

Switching Machine Improvisation Models by Latent Transfer Entropy Criteria

Autorzy: Shlomo Dubnov, Gerard Assayag, Vignesh Gokul
Opublikowane w: 41st International Conference on Bayesian and Maximum Entropy methods in Science and Engineering (MaxEnt22) 2022, 2022
Wydawca: MaxEnt

Cross-modal Adversarial Reprogramming

Autorzy: Paarth Neekhara,Shehzeen Hussain,Jinglong Du,Shlomo Dubnov,Farinaz Koushanfar,Julian McAuley
Opublikowane w: IEEE/CVF Winter Conference on Applications of Computer Vision (WACV), 2022, pp. 2898-2906, 2022
Wydawca: IEEE
DOI: 10.1109/wacv51458.2022.00295

Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments

Autorzy: Ke Chen, Hao-Wen Dong, Yi Luo, Julian McAuley, Taylor Berg-Kirkpatrick, Miller Puckette, Shlomo Dubnov
Opublikowane w: ISMIR 2022, Proc. of the 23rd Int. Society for Music Information Retrieval Conf., Bengaluru, India, 2022
Wydawca: ISMIR
DOI: 10.48550/arxiv.2209.02871

Tonet: Tone-Octave Network for Singing Melody Extraction from Polyphonic Music

Autorzy: Ke Chen,Shuai Yu,Cheng-i Wang,Wei Li,Taylor Berg-Kirkpatrick,Shlomo Dubnov
Opublikowane w: ICASSP 2022 - 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2022, pp. 621-625, 2022
Wydawca: IEEE
DOI: 10.1109/icassp43922.2022.9747304

Expressive Neural Voice Cloning

Autorzy: Paarth Neekhara, Shehzeen Hussain, Shlomo Dubnov, Farinaz Koushanfar, Julian McAuley
Opublikowane w: Proceedings of The 13th Asian Conference on Machine Learning, PMLR 157:252-267, 2021, 2021
Wydawca: PMLR

Creative Improvised Interaction with Generative Musical Systems

Autorzy: Shlomo Dubnov, Gerard Assayag, Vignesh Gokul
Opublikowane w: IEEE International Conference on Multimedia Information Processing and Retrieval (IEEE-MIPR) 2022, 2022
Wydawca: IEEE

Bi-musicality at the age of artificial intelligence

Autorzy: Marc Chemillier, Justin Vali
Opublikowane w: SoMoS 2022, ICTM Study Group on Sound, Movement, and the Sciences, Barcelona, October 26, 2022, 2022
Wydawca: SOMOS

Restoring Eye Contact to the Virtual Classroom with Machine Learning

Autorzy: Ross Greer, Shlomo Dubnov
Opublikowane w: Proceedings of the 13th International Conference on Computer Supported Education - Volume 1: CSME, pp698-708, 2021
Wydawca: SciTePress
DOI: 10.48550/arXiv.2105.10047

A posthumous improvisation by Toots Thielemans.

Autorzy: Marc Chemillier, Ke Chen, Mikhail Malt, Shlomo Dubnov
Opublikowane w: Toots Thielemans (1922-2016). A Century of Music across Europe and America, May 2022, Bruxelles, Belgium., 2021
Wydawca: Bruxelles Museum

Towards Improving Harmonic Sensitivity and Prediction Stability for Singing Melody Extraction

Autorzy: Keren Shao, Ke Chen, Taylor Berg-Kirkpatrick, Shlomo Dubnov
Opublikowane w: ISMIR 2023, Proceedings of the 24th International Society for Music Information Retrieval Conference, 2023
Wydawca: ISMIR

Deep HRTF Encoding & Interpolation: Exploring Spatial Correlations using Convolutional Neural Networks

Autorzy: Zurale, D., Yadegari, S., Dubnov, S.
Opublikowane w: SMC 2022, Proc. of 19th Sound and Music Computing Conference, St Etienne, 2022, 2022, Strona(/y) 350–357
Wydawca: Sound and Music Computing

Large-Scale Contrastive Language-Audio Pretraining with Feature Fusion and Keyword-to-Caption Augmentation

Autorzy: Y. Wu, K. Chen, T. Zhang, Y. Hui, T. Berg-Kirkpatrick, S. Dubnov
Opublikowane w: ICASSP 2023 - IEEE International Conference on Acoustics, Speech and Signal Processing, 2023, Strona(/y) 1-5
Wydawca: IEEE
DOI: 10.1109/icassp49357.2023.10095969

Zero-Shot Audio Source Separation through Query-Based Learning from Weakly-Labeled Data

Autorzy: Ke Chen, Xingjian Du, Bilei Zhu, Zejun Ma, Taylor Berg-Kirkpatrick, Shlomo Dubnov
Opublikowane w: Proceedings of the AAAI Conference on Artificial Intelligence 36 (4):4441-49, 2022
Wydawca: AAAI
DOI: 10.1609/aaai.v36i4.20366

Accessible Co-Creativity with AI through Language and Voice Input

Autorzy: Basica, C., Verma, P., Alessandrini, P., Berceanu, A.
Opublikowane w: AIMC 2023, Proc. of Intl. Conference on AI and Musical Creativity @ The University of Sussex, 2023
Wydawca: The University of Sussex

GEOMETRIC NOTATIONFOR TIME-BRACKET WORKS, APPLICATIONS AND PERFORMANCE:THE CASE OF JOHN CAGE'S MUSIC FOR___

Autorzy: Mikhail Malt, Benny Sluchin
Opublikowane w: Proceedings of the International Conference on Technologies for Music Notation and Representation -- TENOR'20/21, 2021
Wydawca: TENOR

Synthèse concaténative et image : DYCI2 et Omax-vidéo.

Autorzy: Georges Bloch, Jérôme Nika, Quentin Barrois.
Opublikowane w: Journées d'Informatique Musicale 2020 (JIM 2020), Oct 2020, Strasbourg, France, 2021
Wydawca: JIM

Multitrack Music Transformer

Autorzy: H. -W. Dong, K. Chen, S. Dubnov, J. McAuley, T. Berg-Kirkpatrick
Opublikowane w: ICASSP 2023 - IEEE International Conference on Acoustics, Speech and Signal Processing, 2023
Wydawca: IEEE
DOI: 10.1109/icassp49357.2023.10094628

Spectrogram Inpainting for Interactive Generation of Instrument Sounds.

Autorzy: Théis Bazin, Gaëtan Hadjeres, Philippe Esling, Mikhail Malt
Opublikowane w: Proceedings of the 2020 Joint Conference on AI Music Creativity, Jul 2020, Stockholm, Norway., 2021
Wydawca: AIMC
DOI: 10.30746/978-91-519-5560-5

HTS-AT: A Hierarchical Token-Semantic Audio Transformer for Sound Classification and Detection

Autorzy: Ke Chen,Xingjian Du,Bilei Zhu,Zejun Ma,Taylor Berg-Kirkpatrick,Shlomo Dubnov
Opublikowane w: ICASSP 2022 - 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2022, pp. 646-650, 2022
Wydawca: IEEE
DOI: 10.1109/icassp43922.2022.9746312

Organigrammes informatiques : présence humaine et intelligence artificielle dans les arts et la culture

Autorzy: Marc Chemillier
Opublikowane w: Marion Laval-Jeantet; Yann Toma. Organigrammes. L’art face aux mondes complexes - à paraître, 2022
Wydawca: Organigramme

Learning Sub-dimensional HRTF Representations – Traditional And Deep Learning Approaches

Autorzy: Devansh Zurale, Shlomo Dubnov
Opublikowane w: IEEE WASPAA 2023 (accepted), 2023
Wydawca: IEEE

Composing Structured Music Generation Processes with Creative Agents.

Autorzy: Jérôme Nika, Jean Bresson
Opublikowane w: 2nd Joint Conference on AI Music Creativity (AIMC), 2021, Graz, Austria., 2021
Wydawca: AIMC

Spatial Upsampling of Sparse Head Related Transfer Functions - A VQ-VAE & Transformer based approach

Autorzy: Devansh Zurale, Shlomo Dubnov
Opublikowane w: AES SIA 2023, Proc. Intl. Conference on Spatial and Immersive Audio 2023 August 23–25, Huddersfield, UK, 2023
Wydawca: AES

The Tonnetz Environment: A Web Platform for Computer-aided “Mathemusical” Learning and Research.

Autorzy: Corentin Guichaoua, José L Besada, Erica Bisesi, Moreno Andreatta
Opublikowane w: 13th International Conference on Computer Supported Education, Apr 2021, Prague (on line), Czech Republic. pp.680-689,, 2021
Wydawca: ICCSE
DOI: 10.5220/0010532606800689

Active Vibration Control Applied to Flat Panel Loudspeakers Using the HyVibe Pro

Autorzy: Adrien Mamou-Mani, Florentin Ménage, Serge Puvilland, Giuseppe Pennisi, Mathieu Carré, François Beaulier
Opublikowane w: Proceedings of SIA Comfort Conference, Le Mans, France, 2021., 2021
Wydawca: SIA

Somax2 – A Distributed Co-Creative System for Human-Machine Co-Improvisation

Autorzy: Marco Fiorini, Mikhail Malt
Opublikowane w: HHAI 2023, Proc.of the 2nd International Conference on Hybrid Human-Artificial Intelligence Augmenting Human Intellect, Series Frontiers in Artificial Intelligence and Applications, Vol 368, 2023, Strona(/y) 389-391, ISBN 978-1-64368-394-2
Wydawca: IOS Press
DOI: 10.3233/faia230106

Somax 2 a Reactive Multi-Agent Environment for Co-Improvisation

Autorzy: Joakim Borg, Gérard Assayag, Mikhail Malt
Opublikowane w: SMC 2022, Proc. of the 19th Sound and Music Computing Conference Sound Music & Computing, 2022
Wydawca: SMC

Co-Creation: Early Steps and Future Prospects.

Autorzy: George Lewis
Opublikowane w: In Bernard Lubat, Gérard Assayag, Marc Chemillier. Artisticiel / Cyber-Improvisations. Phonofaune, 2021, Dialogiques d'Uzeste., 2021., 2021
Wydawca: Phonofaune

Orphée aux enfers » : fragment, sexe et trait d’esprit

Autorzy: Georges Bloch
Opublikowane w: "In Isabelle Tillerot (éd.), ""Le fragment en archipel"", Centre allemand d’histoire de l’art and Heidelberg University, JUIN 2022, Paris", 2022
Wydawca: Centre allemand d’histoire de l’art

Machine Improvisation in Music: Information-Theoretical Approach.

Autorzy: Shlomo Dubnov
Opublikowane w: In: Miranda, E.R. (eds) Handbook of Artificial Intelligence for Music. Springer, Cham., 2021
Wydawca: Springer
DOI: 10.1007/978-3-030-72116-9_14

Jazz and Artificial Intelligence : From Presence to Traces.

Autorzy: Marc Chemillier
Opublikowane w: In Bernard Lubat, Gérard Assayag, Marc Chemillier. Artisticiel / Cyber-Improvisations. Phonofaune, 2021, Dialogiques d'Uzeste., 2021., 2021
Wydawca: Phonofaune

Human-Machine Co-Creativity.

Autorzy: Gérard Assayag
Opublikowane w: in Bernard Lubat, Gérard Assayag, Marc Chemillier. Artisticiel / Cyber-Improvisations. Phonofaune, 2021, Dialogiques d'Uzeste., 2021
Wydawca: Phonofaune

Approches diagrammatiques en musicologie computationnelle.

Autorzy: Moreno Andreatta
Opublikowane w: F. Jedrzejewski, C. Lobo et A. Soulez,. Ecrire comme composer : le rôle des diagrammes, Delatour France, p. 15-30, 2021., 2021
Wydawca: Delatour

Variation versus bouclage, l'improvisation est-elle soluble dans l'électro ?

Autorzy: Marc Chemillier
Opublikowane w: Franck Jedrzejewski, Carlos Lobo, Antonia Soulez (éds.), Écrire comme composer : le rôle des diagrammes, Éditions Delatour, pp. 77-90, 2021., 2021
Wydawca: Delatour

Universal Source Separation with Weakly Labelled Data

Autorzy: Qiuqiang Kong, Ke Chen, Haohe Liu, Xingjian Du, Taylor Berg-Kirkpatrick, Shlomo Dubnov, Mark D. Plumbley
Opublikowane w: arXiv, 2023
Wydawca: arXiv
DOI: 10.48550/arxiv.2305.07447

Deep Music Information Dynamics

Autorzy: Shlomo Dubnov
Opublikowane w: arXiv, 2021
Wydawca: arXiv

Multitrack Music Transformer: Learning Long-Term Dependencies in Music with Diverse Instruments

Autorzy: Hao-Wen Dong, Ke Chen, Shlomo Dubnov, Julian McAuley, Taylor Berg-Kirkpatrick
Opublikowane w: arXiv, 2022
Wydawca: arXiv

Artisticiel / Cyber-Improvisations.

Autorzy: Bernard Lubat, Gérard Assayag, Marc Chemillier
Opublikowane w: Phonofaune, 2021, Coll. Dialogiques d'Uzeste, Bernard Lubat., 2021, ISBN 978-2-490959-00-6
Wydawca: Phonofaune

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