This project is the first comprehensive study of transcultural knowledge production in early modern Europe. Its underpinning idea is that the students who travelled from central-eastern Europe to attend renowned universities were active agents of this transcultural knowledge. During their stays abroad they created personal hand-written notebooks containing lecture notes and any other texts that attracted their interest. Conserved in the archives of the Czech Republic, Hungary, Lithuania, Poland and Ukraine, these notebooks provide us with unique and first-hand documentary evidence of the impact of multiple cultural stimuli on knowledge. Combining intellectual history, history of migration and physical analysis of documents, the project considers the period from the rise of this practice among students, due to an unprecedented availability of paper (c. 1470), up to the Thirty Years’ War, which restricted their travels. Its objectives are to analyse: the relationship between academic and non-academic knowledge gathered in the students’ notebooks; the emergence of new forms of self-learning, examining the criteria of text selection; and the contact between humanist culture and the cultures of the countries the students came from. Early modern studies of knowledge production have traditionally focused on academic teaching. Although the cosmopolitan nature of universities is an established fact in these studies, the impact of different cultures (languages, artistic-literary interests, religious practices) on knowledge creation has been neglected, due to lack of evidence. Students’ experience makes it possible to observe links between knowledge and a plurality of languages and traditions which best reflects the European scenario at the time. The project explores knowledge creation from an unprecedented angle, fostering a rethinking of the notion of centre and peripheries in Renaissance studies and breaking important new ground for research on intellectual history.
